快猫视频

Archival Returns: Central Australia and Beyond was co-published with the University of Hawai'i 快猫视频. It is also available in through the journal.

Winner of the Australian Society of Archivists Mander Jones Award

Place-based cultural knowledge 鈥� of ceremonies, songs, stories, language, kinship and ecology 鈥� binds Australian Indigenous societies together. Over the last 100 years or so, records of this knowledge in many different formats 鈥� audiocassettes, photographs, films, written texts, maps, and digital recordings 鈥� have been accumulating at an ever-increasing rate. Yet this extensive documentary heritage is dispersed. In many cases, the Indigenous people who participated in the creation of the records, or their descendants, have little idea of where to find the records or how to access them. Some records are held precariously in ad hoc collections, and their caretakers may be perplexed as to how to ensure that they are looked after.

Archival Returns: Central Australia and Beyond explores the strategies and practices by which cultural heritage materials can be returned to their communities of origin, and the issues this process raises for communities, as well as for museums, galleries, and other cultural institutions.

Jennifer Green is a postdoctoral fellow at the University of Melbourne. She has worked for over four decades with Indigenous people in Central Australia documenting languages, cultural history, art, social organisation and connections to country.

Linda Barwick is a musicologist collaborating with First Nations communities in Australia since 1985 and Italian communities since 1979. She is currently Emeritus Professor at the University of Sydney, Sydney Conservatorium of Music.

Petronella Vaarzon-Morel is an anthropologist with long-term experience working with Warlpiri and other Indigenous peoples in Central Australia. She is an honorary research associate at the University of Sydney.

List of figures
List of tables
Foreword
Editors' preface
The contributors

1. Conundrums and consequences: doing digital archival returns in Australia by Linda Barwick, Jennifer Green, Petronella Vaarzon-Morel & Katya Zissermann
2. Deciphering Arrernte archives: the intermingling of textual and living knowledge by Jason Gibson, Shaun Angeles & Joel Liddle
3. Reflections on the preparation and delivery of Carl Strehlow鈥檚 heritage dictionary (1909) to the Western Aranda people by Anna Kenny
4. Returning recordings of songs that persist: the Anmatyerr traditions of akiw and anmanty by Jason Gibson
5. Incorporating archival cultural heritage materials into contemporary Warlpiri women鈥檚 yawulyu spaces by Georgia Curran
6. Enlivening people and country: the Lander Warlpiri cultural mapping project by Petronella Vaarzon-Morel & Luke Kelly
7. (Re)turning research into pedagogical practice: a case study of translational language research in Warlpiri by Carmel O鈥橲hannessy, Samantha Disbray, Barbara Martin & Gretel Macdonald
8. 鈥楾he songline is alive in Mukurtu鈥�: return, reuse, and respect by Kimberly Christen
9. 鈥楩or the children ...鈥�: Aboriginal Australia, cultural access, and archival obligation by Brenda Croft, Sandy Toussaint, Felicity Meakins & Patrick McConvell
10. Working at the interface: the Daly Languages Project by Rachel Nordlinger, Ian Green & Peter Hurst
11. 鈥榃e never had any photos of my family鈥�: archival return, film, and a personal history by Fred Myers & Lisa Stefanoff
12. Return of a travelling song: wanji-wanji in the Pintupi region of Central Australia by Myfany Turpin
13. Never giving up: negotiating, culture-making, and the infinity of the archive by Sabra Thorner, Linda Rive, John Dallwitz & Janet Inyika
14. Nura鈥檚 vision: Nura鈥檚 voice by Suzanne Bryce, Julia Burke & Linda Rive
15. i-Tjuma: the journey of a collection 鈥� from documentation to delivery by Elizabeth Marrkilyi Ellis, Jennifer Green & Inge Kral
16. Ever-widening circles: consolidating and enhancing Wirlomin Noongar archival material in the community by Clint Bracknell & Kim Scott

鈥渞eveals layers of complexity in the deceptively simple process of repatriation or archival return ... important for folklorists, ethnomusicologists, archivists, and anthropologists working with Aboriginal communities and cultural-heritage materials, but it warrants attention from a broader audience ... highlights tangible and inspiring efforts to decolonize the work of cultural-heritage institutions.鈥�

David Lewis   Journal of Folklore Research Reviews

'I realized that what I had gained from this book was so much more than specialist or technical knowledge. The authors explore many different layers of meaning, providing the opportunity to reflect on why the process of returning knowledge back to Country and the decolonization of archives, libraries, and museums are vital steps for sovereignty and self-determination of Aboriginal peoples and communities ... recommended reading for archivists, anthropologists, curators, and any other professionals working to promote sovereignty and self-determination of Aboriginal peoples within the information sector.'
Monica Galassi   Information & Culture

鈥楢rchival Returns holds great potential for inspiring First Nations communities, researchers and cultural institution practitioners in their own community-centred initiatives and research 鈥� This volume helpfully offers, through case studies, a number of tools that older and younger generations in Aboriginal communities can employ to protect, manage and maintain place-based cultural learning in archival materials.鈥�
Mariko Smith   Aboriginal History Journal

"The book is a successful attempt to move beyond arguments for the rights of indigenous communities into the more logistical arenas of how these rights, principles and cultural practices can be upheld in record-keeping and archival contexts."
Kirsty Fife   Archives and Records

Format: paperback
Size: 254 脳 178 脳 15 mm
372 pages
Copyright: © 2020
ISBN: 9781743326725
Publication: 03 Feb 2020
Series: Indigenous Music, Language and Performing Arts